Olympus OM D E M1 Review Introduction and High ISO Shooting

For those of you in Malaysia, you can PRE-ORDER the new amazing Olympus OM-D E-M1 from our Olympus Online Store here (click)

Olympus OM-D E-M1 Touch and Try Session, Kuala Lumpur (21 and 22 September 2013)

 If you happen to be in Kuala Lumpur, you have a chance to touch and try the Olympus OM-D E-M1 in a coming event on 21st and 22nd September!! First come first serve basis, so hurry up and register. I will be there, and hope to see some of you beautiful people there!

Registration here: http://home.olympusimage.com.my/eventlist.php

More information on Micro Four Thirds system here: http://www.olympusimage.com.my/products/dslr/em1/

Important Notes:

1) I am an employee of Olympus Malaysia. I am reviewing the Olympus OM-D E-M1 from a photography enthusaist’s point of view. I was given the liberty to perform the gear review as usual. 

2) This is a user experience based review.

3) All images were shot in RAW and converted directly to JPEG Large Fine via Olympus Viewer 3 (provided by Olympus Malaysia).

4) General camera settings, Noise Filter = OFF, Contrast/Saturation/sharpness = 0, White Balance = Auto (with an option maintain warm color = OFF), Gradation = Normal

5) No post-processing applied to the images. All images were as good as straight out of camera, with minimal cropping for better presentation.

I believe the newly announced Olympus OM-D E-M1 is the camera that many have been anticipating for a long time. This is a professional level camera model, sitting at the flagship position on Olympus system’s hierarchy, making the best of both Olympus micro Four Thirds as well as the DSLR Four Thirds system lenses. Basically, Olympus took in all their existing strengths and combined them all together in their latest Olympus E-M1. Since I am now working within Olympus Malaysia, I have the privilege to be amongst the first to hold and try the E-M1, and the next thing I did was bringing the camera out and gave it a thorough workout. 

E-M1: The Best of Both Worlds

I have been a long time, loyal supporter of the original Olympus Four Thirds DSLR system, and notably Olympus has produced some of the world’s finest lenses in their Zuiko Digital line. I have used my all time favourite ZD 50mm F2 macro, alongside ZD 11-22mm F2.8-3.5 and ZD 50-200mm F2.8-3.5 for both paid assignment jobs as well as casual personal shoots. In fact, Olympus is highly regarded for their high performance zoom lenses, and they have quite a list of professional grade, fully weather sealed lenses to offer from the Four Thirds DSLR Zuiko line, particularly ZD 14-54mm F2.8-3.5, ZD 12-60mm F2.8-4.0, ZD 14-35mm F2 and ZD 35-100mm F2. Those who have used these wonderful lenses before would understand and acknowledge that Olympus knows how to make great performing zoom lenses. 

However, the Four Thirds system users have always felt neglected when Olympus decided to go full force on their micro Four Thirds system, developing more cameras and lenses for the PEN, OM-D and M.Zuiko lenses. In all fairness Olympus still managed to pull out some neat accomplishments, especially with their OM-D E-M5, with image quality surpassing its peers (APS-C sensor DSLR), having the world’s fastest Autofocus, the revolutionary 5-Axis Image Stabilization and the amazing fact that the camera was made of magnesium alloy body and was fully weather sealed. The micro Four Thirds system has matured and come a long way. 

The truth is, the micro Four Thirds system, as great as the OM-D E-M5 could be, it was still not perfect. The key weaknesses are:

1) Non-availability of high quality bright zoom lenses (both standard wide zoom and tele-photo)

2) Focusing speed not optimized in use with Zuiko Four Thirds lenses 

3) Continuous AutoFocus Tracking capability falls below expectations

4) Expectations of better image quality as better and newer cameras are released from competitors. 

Therefore, Olympus’ answer to the above issues comes in the form of OM-D E-M1. E-M1 is a bridge between the DSLR Four Thirds system and the micro Four Thirds system. It is a professional model camera, succeeding the DSLR E-5, and is a much improved version of the OM-D E-M5. The E-M1 is now fully optimized for both the micro Four Thirds lenses (M.Zuiko) as well as DSLR Four Thirds lenses (Zuiko Digital). This was made possible by adding in on-chip Phase Detection AF system built onto the image sensor itself. Having Phase Detection AF not only allows the optimized usage with older Zuiko Digital lenses when it comes to fast Autofocusing, but it also aids greatly in continuous autofocus with tracking capability of the camera, addressing to one of the most commonly pointed out issues of the micro Four Thirds system. More importantly, a completely new 16MP image sensor was developed, with promised better image quality in comparison to the previous E-M5 and even matching up or surpassing the current offerings of APS-C sensor sized DSLRs. Everything that was on E-M5, has been reworked and enhanced a few steps further, and we shall explore the items in my multiple parts review. 

You may find the full specification on Olympus’ official website here (click). I shall highlight some of the specifications which I think are important as follows:

1) NEW 16MP LIVE MOS SENSOR
This new 16MP image sensor has no Anti-Aliasing filter, promising even greater level of fine details captured, though the pixel count stays the same as the E-M5 and E-P5. The new image sensor also has improved noise control which we will explore further specifically in this blog entry.

2) DUAL FAST AF
E-M1 now employs both contrast detect AF that originally provided E-M5 with world’s fastest AF when used together with M.Zuiko micro Four Thirds lenses, as well as new on-chip Phase Detect AF built on the image sensor for use with Four Thirds DSLR lenses. The Phase-Detect AF will also greatly improve the Continuous AF with tracking.

3) TRUEPIC 7 Image Processing Engine with FINE DETAIL PROCESSING 2
The new image processing engine is updated with optimization for different lens profile to correct distortion, chromatic aberration, compensation for diffraction softness and Moire correction. Every lens (Olympus lenses only) mounted on E-M1 will be automatically optimized with the Fine Detail Processing 2.

3) Built in super large Electronic Viewfinder (similar specifications with VF-4) with Adaptive Brightness Technology, new Color Creator (which I shall explore in my later blog review entries).

4) IMPROVED 5-AXIS IMAGE STABILIZATION
Believe me when I say the 5-Axis IS gets better and better, with enhanced algorithm to provide better efficiency for shooting at extreme slow shutter speed than what the E-M5 can do.

5) FULL WEATHER SEALING

Dust-proof, splash-proof, and now, the E-M1 is the worlds first Mirrorless Interchangeable Lens Camera that is FREEZE-PROOF  down to -10 degrees Celcius.

6) 2x2 dial control, and built in Wi-Fi features (fully integrated with smart devices for iOS and Android platforms)

The Survey Poll on Facebook Page: Results

A few days ago I posted a poll on my Facebook Page to have a quick survey on which review items to be prioritized for my coming camera review. 120 people responded (as of 9 September 2013) and this provided me with useful information, thus based on the results of the survey I shall arrange my blog review parts according to the popularity voted. The highest percentage goes to comparison with E-M5, which was unexpected and to be entirely honest I did not consider doing any comparisons at all initially. Since this is quite high in demand, I will be doing side by side comparisons between the E-M1 and E-M5, but in a later part for obvious reasons. I want to explore capabilities and features specific to E-M1 first, since this is the E-M1 review after all, and following that, would be a full comparison with E-M5.

My blog review layout shall be as follows:

Part 1: Introduction and High ISO Shooting

Part 2: Image Sharpness, Continuous AF capability and Handling

Part 3: Compatibility with Four Thirds Zuiko Digital DSLR lenses

Part 4: Comparison with E-M5, Fine Detail Processing 2 and Wi-Fi functions

Part 5: M.Zuiko 12-40mm F2.8 Pro lens review and Conclusions

Please note that this is only an initial plan and may be changed if necessary.

HIGH ISO SHOOTING

I am fairly sure that one of the main things everyone had in their mind is how much better can the micro Four Thirds sized image sensor in E-M1 be than the previous E-M5, knowing that it was the best in class, and surpassing even most APS-C sized DSLR sensors. One of the main parameters used to gauge the performance or ranking of a camera is the high ISO shooting (though I may not necessarily agree with this, but this is a generally accepted opinion). E-M5 was a game-changer, drastically closing in the gap between mirrorless interchangeable lens camera system and conventional DSLR system. To be worthy of a top of the line flagship model, E-M1 is equipped with an all new image sensor, and surely we all have high expectations from this new image sensor in a professional grade camera.

To test the high ISO performance of the E-M1, I have brought the camera to Aquaria KLCC, the location with one of the worst ever lighting condition I can think of for torturing the camera’s low light shooting capability. The only time I did so for a camera review was my very first review for an Olympus gear, the Olympus DSLR E-5. It has been 3 years since then, and it is the right time to revisit the Aquaria and push the E-M1 to the limits. The challenges posed while shooting inside Aquaria KLCC not only include very, very dim available light, but also dealing with poor light quality (horrible blue color cast). Flash was not permitted to protect the animals and sea creatures. On top of that, the creatures do not stay still, they constantly move at quite a fast pace, consequently necessitate the need to bump up the ISO sensitivity a few notches higher to have sufficient shutter speed to freeze motion. I dare say that photography conditions rarely get worse than what was encountered here.

Lets get right to the point: how did the camera performed?

Important note: please do not use the following images to review the image sharpness. I was shooting through glass with scratches and patches of wet spots (water condensation, they keep it humid for the creatures to survive). The following images are only valid to strictly demonstrate high ISO shooting. Also note that noise filter was OFF. Full size unedited images (straight convert from RAW in Olympus Viewer) are available for download at the end of this blog entry.

ISO 16,000

M.Zuiko 75mm F1.8 lens, ISO 16,000, 1/160sec, F1.8 

100% Crop from previous image

ISO 8,000 

M.Zuiko 12-40mm F2.8 Pro lens at 40mm, ISO 8,000, 1/50sec, F/4

100% Crop from previous image

ISO 6,400 

M.Zuiko 75mm F1.8 lens, ISO 6,400, 1/200sec, F/4

ISO 1,600 

M.Zuiko 12-40mm Pro at 35mm, ISO 1,600, 1/60sec, F5

100% Crop from the previous image

I think most people would think I am crazy to start my review photographs with extreme high ISO images. Kicking off with an ISO 16,000 image of an adorable otter may be on the extreme side of things but it is very evident even from this single image to display a huge step upward in terms of high ISO performance on the E-M1. I dare say that the ISO6,400 image of the iguana was completely usable with details still intact. The bar of usable high ISO has been raised, by how much, is not for me to conclude in this entry. I shall do a full side by side comparison with E-M5 in my later blog review entries. From rough observation, E-M1 has confidently more than one stop EV improvement over E-M5. 

I think the crucial difference observed thus far was the level of details being retained, even at very high ISO. Even at ISO 16,000, somehow the chroma noise (color noise) was suppressed and only luminance noise was visible. The luminance noise was not destructive, it added structure as well as maintaining very useful details. At ISO 8,000, the 100% crop of the frogs eye still showed impressive sharpness. These high ISO settings posed great challenge even with highly respected APS-C sized DSLRs.

Things get even more interesting as I ventured into the ocean tunnel, when all the sea creatures were constantly in motion. Again, do take note that the glass was very thick, not fully transparent and worse, full of scratches. It was rather difficult to get completely sharp images, unless I was on the other side of the glass, swimming side by side with the sharks. Ok maybe that was not such a bright idea, but we would have to make do with what we can. Therefore please understand and forgive the slightly fuzzy images, and as I have mentioned before, strictly use these image samples on this blog emtry to review high ISO performance only. 

One interesting thing to note, though the glass was in badly scratched condtition, the M.Zuiko 12-40mm F2.8 focused amazingly well. There was very rare case of hunting, but the lens, in combination with the E-M1 always successfully locked in focus, extremely quickly. In such terribly dim condition (just check the EXIF data!) the lens still managed to perform so well, even without the AF assist light. 

ISO 6,400

M.Zuiko 12-40mm F2.8 Pro at 12mm, ISO 6,400, 1/80sec, F2.8

ISO 5,000 

M.Zuiko 12-40mm F2.8 pro at 12mm, ISO 5,000, 1/80sec, F2.8

ISO 5,000 

M.Zuiko 12-40mm F2.8 Pro at 12mm, ISO 5,000, 1/80sec, F2.8

ISO 4,000 

M.Zuiko 12-40mm F2.8 Pro at 12mm, ISO 4,000, 1/80sec, F2.8

ISO 5,000 

M.Zuiko 12-40mm F2.8 Pro at 32mm, ISO 5,000, 1/80sec, F2.8

Besides Aquaria KLCC, I have also brought the E-M1, with the amazing Zuiko Digital 7-14mm F4 lens for some night landscape shooting around Kuala Lumpur area. It was actually raining that evening, and still drizzling with varying intensity, but that was not a problem because both the E-M1 and 7-14mm lens were fully weather sealed. I mounted the camera on the tripod so I can shoot a same scene, but with varying ISO from 200, all the way up to 25,600. To compensate for the varying ISO, shutter speed was adjusted accordingly. The built in Image Stabilization was turned off, and I used 2 seconds self timer to mitigate any unintended shake after pressing the shutter button. 

The first scene was shot right in front of the KLCC Twin towers. The lens was pointing upward, and we had light rain, hence you might find a few water spots in the images. I had to constantly wipe the front lens element. Bear in mind that all the following images are also available for download in full size, unedited JPEG format, at the end of my blog entry. 

HIGH ISO COMPARISON TEST 1

ISO 200

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 200, 0.67sec, F8

ISO 800 

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 800, 1/5sec, F8

ISO 1,600 

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 1600, 1/10sec, F8

ISO 3,200 

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 3,200, 1/20sec, F8

ISO 6,400 

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 6,400, 1/40sec, F8

ISO 12,800 

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 12,800, 1/60sec, F8

ISO 25,600 

Zuiko Digital 7-14mm F4 lens at 7mm, ISO 25,600, 1/125sec, F8

AMAZING 5-Axis Image Stabilization

During the product briefing with Olympus Malaysia staff I was told that the 5-Axis Image Stabilization has been improved further. My spontaneous reaction was, come on, what else do you expect us to do with the Image Stabilization? In my OM-D E-M5 review previously I have stated that I can shoot confidently with shutter speed as slow as 1/2 second hand-held, and I believe that is already more than sufficient for most shooting needs. In case where we need to shoot slower than half a second shutter speed or for long exposure shooting, logically we would use a tripod. The existing 5 Axis Image Stabilization was already effective and sufficiently capable for handheld shooting. 

I was going to be proven so WRONG, and honestly, I was still quite shocked at this discovery. 

After the ISO comparison shoot in front of KLCC Twin Towers, I decided to shoot hand-held and see how far I can push the slow shutter shooting with the 5-Axis Image Stabilization. 

Since we can confidently shoot at 1/2 second with the E-M5, I started by shooting with 1 second shutter speed on the E-M1. The first image reviewed was SHARP. I thought, well, maybe it was luck that I managed to hold my hands steady for that 1 second shot. So I tried again. And again. And again. To my horror (at that moment, this was the word that popped out in my mind) ALL of my shots came out SHARP! That 5-Axis Image Stabilization did something and whatever it did I was getting sharp images, shot after shot. 

HANDHELD AT 1.6 SECONDS Shutter Speed

ZD 7-14mm at 7mm, ISO200, 1.6sec, F9

It is one thing to have steady hands and pushing slow shutter speed shooting, sometimes we get one or two sharp shots out of a series of trials. And even the successful images may not be 100% blur free, there would still be traces of blur/shake. The 5 Axis Image Stabilization in the E-M1 gave me 100% hit rate when shooting at 1 second hand-held, and that was something I never saw coming, or thought possible. 

How about 2 seconds?

When I reviewed the 2 seconds shutter speed image, I wished there was someone around to record the expression on my face because I really do not know how to explain what I felt to you guys. Seriously, 2 seconds shutter speed image, sharp, shot after shot. It is very hard to believe, and I agree it is quite impossible to do hand-held shooting at 2 seconds, especially me because I do not exactly have steady hands. Furthermore I was shooting while standing straight, with nothing to lean on or brace myself against. The M.Zuiko 7-14mm F4 lens was not exactly small, and it was very heavy on its own. I do not quite know the logic behind how the 5-Axis Image Stabilization works, but it just did, and I have evidence to show you. 

I have compiled 11 full resolution photographs to show you that I have taken multiple trials of 1 sec and 2 sec shutter speeds in the download section at the end of this blog, and they were all sharp. Of course at 2 seconds you can see small traces of blur, but I am sure you will find the images still very usable. 

Do not take my word for it, as usual I always suggest that you find an E-M1 and test out the 5 Axis IS and see how effective it is in steadying your shots. As I said I do not have the steadiest hands around, and in the hands of those who spent time in challenging hand-held shooting, I am sure they can do better than me. 

Now that I was left speechless with the 5-Axis Image Stabilization trials, I went on doing another high ISO comparison scene, with similar setup as before, at KLCC Park. 

HIGH ISO COMPARISON TEST 2

ISO 200 

Zuiko Digital 7-14mm F4 at 7mm, ISO 200, 13sec, F9

ISO 800 

Zuiko Digital  7-14mm F4 at 7mm, ISO 800, 3.2sec, F9

ISO 1,600 

Zuiko Digital  7-14mm F4 at 7mm, ISO 1,600, 1.3sec, F9

ISO 3,200 

Zuiko Digital  7-14mm F4 at 7mm, ISO 3,200, 0.6sec, F9

ISO 6,400 

Zuiko Digital  7-14mm F4 at 7mm, ISO 6,400, 1/3sec, F9

ISO 12,800 

Zuiko Digital  7-14mm F4 at 7mm, ISO 12,800, 1/6sec, F9

I could not finish the test of ISO 25,600 because after the ISO 12,800 shot it started to rain very heavily, and I was already drenched from the earlier drizzling. And I did not intend to catch a bug just before publishing my review!

Again the chroma noise was very well controlled yet at the same time useful amount of detail was able to be maintained all the way to ISO 6,400. In fact the ISO 12,800 image is quite usable with some application of noise reduction and a little sharpening. 

When it comes to high ISO shooting and tolerance to noise, it differs from one to another. What may appear to be acceptable level of noise to me may not be the same case for you. However it is also a stretch too far to expect any image sensor to deliver images completely free of digital noise. In fact even full frame DSLR image sensor would exhibit visible noise shooting from ISO 3,200 and beyond. Of course it all comes down to how well the cameras built in noise reduction software in handling the high ISO noise. In this blog entry I have taken all shots with the Noise Filter set of OFF. The files would surely look cleaner with a little bit of noise reduction applied. 

ZD 7-14mm F4 lens at 7mm, ISO 200, 20sec, F7.1

100% Crop from previous image

ZD 7-14mm F4 at 7mm, ISO 200, 8sec, F9

I understand that some of you may not trust the images being displayed here, since they have been reduced in resolution, and obviously compressed to a certain degree. It is difficult to judge the image quality with so much size reduction, hence as usual, for your pixel-peeping pleasures, I have compiled selected images in full resolution (unedited, unprocessed, and converted directly from RAW to JPEG Large Fine via Olympus Viewer 3) for your download as follows:

E-M1 FULL RESOLUTION SAMPLE IMAGES HERE

DOWNLOAD 1

High ISO Image Samples (click)

DOWNLOAD 2

5-Axis IS Test, slow shutter speed handheld (click)

I was very pleased to find that the Olympus OM-D E-M1 did not disappoint when it comes to high ISO shooting, and as a bonus, the newly improved 5 Axis Image Stabilization allowed me to slow down my shutter speed to 2 seconds and still be able to shoot confidently. The high ISO images were richly detailed and noise level was very well controlled. I shall do side by side high ISO shooting comparison with E-M5 vs E-M1 in my later parts of blog reviews. 

Coming up next, PART 2: Image Sharpness, Continuous AF with tracking capability and Handling.

Just a little teaser. We already know that Olympus cameras with combination with amazingly sharp lenses such as M.Zuiko 60mm F2.8 macro can produce images that are full of fine details. Now Olympus has decided to remove the Anti-Aliasing filter from their image sensor, surely an important move to improve the level of details captured! Added the new Truepic 7 Image Processing engine, with improved "Fine Detail Processing 2", how much better can the E-M1 output get?

Theory may usually differ from practical real life application. So I shall leave you with a 100% crop image from my coming Part 2 review. 

___________________________________________________

Please support me by "liking" my FACEBOOK PAGE (click).

You may also read my FULL user experience review blog entries of other Olympus Micro Four Thirds cameras and lenses at Gear Review Page here (click). 

Read More..

Olympus Stylus XZ 2 Review Street Shooting

Important Notes:

1. This is a user experience based review.

2. All images were shot in RAW and converted directly to JPEG (High QUality) via Olympus Viewer 2 

3. General camera settings, Noise Filter = OFF, Contrast/Saturation/sharpness = 0, White Balance = Auto (with an option maintain warm color = OFF), Gradation = Normal

4. Minimal post-processing applied to the images. All images were as good as straight out of camera, with minimal cropping and only minor exposure/contrast correction for better presentation.

When Olympus Malaysia asked me to review their latest flagship high-end compact digital camera, the Olympus Stylus XZ-2, I was unsure how to do so, because I have been shooting mainly with DSLR system, and more recently, micro 4/3 mirrorless system. I do have a budget basic point and shoot camera which I only use daily at work for documentation purposes, nothing artistic, or technically challenging. I have also heard many wonderful things about the predecessor flagship Olympus XZ-1, which I did have great interest in but never had a chance to use the camera extensively. I have just received the loaned unit yesterday, coincidentally today was a public holiday in Malaysia, thus the perfect opportunity for me to test and blog about this new XZ-2. 

This entry shall be the Part 1 of my review for Olympus Stylus XZ-2. In this entry, I shall explore the cameras capability in shooting under generally good lighting condition, with low ISO setting: how much detail can the combination of new 12Megapixels Back-Side Illuminated CMOS image sensor with the i.Zuiko lens capture? How does the camera handle, how good is the autofocus performance, and how does the camera fare for my usual shutter therapy session? I brought the Olympus XZ-2 to my favourite street hunting ground, Pudu, Kuala Lumpur.

If you have not read my mini-preview of the Olympus XZ-2, please do so here (click). 

Fruit Market

ISO100, F/2.5, 1/125sec, Equivalent focal length: 112mm

Before we dive right into the review, allow me to clarify a few items. This review will be written from a photography-enthusiast’s point of view, because I am not a professional photographer. This will be a user experience based review, sharing on what I think and feel as I use the XZ-2 in real life shooting situations. Therefore, this is not a technical review as there will not be elaborative technical explanations, which can be easily accessible on many professional review websites such as DPreview and DXOmark. In addition to that, I will not be doing direct side by side image and performance comparisons between XZ-2 and any other cameras. Instead, I will share my opinion on how different the experience was shooting with the new XZ-2. In a nutshell, it is about what I can do with the camera, not what the camera can do by itself.

WHERE DOES THE OLYMPUS XZ-2 STAND?

All manufacturers are fighting aggressively in the high-end digital compact camera market, surely XZ-2 faces strong competition from very much alike release from other manufacturers, such as Panasonic LX-7 and the Sony RX100. Both the Panasonic LX-7 and the Sony RX100 have received overwhelmingly positive response from reviews and also user reports, surpassing many general expectations from those cameras. Panasonics Lumix line of compact cameras surely is no slouch, while Sony has always dared to push the boundaries with creative innovations and new technologies. So where does this new Olympus XZ-2 really stand in the face of such broad and stiff competition?

Olympus XZ-1, the predecessor of XZ-2 has been highly regarded as one of the best digital compact camera at its time, being the first compact camera to include a fast aperture F1.8 lens, as well as superior image quality even shooting at high ISO (which is subject to argument comparatively today, but at its time of release about 2 years ago, this statement was surely true). The camera also offers a wide variety of enthusiasts features and demands: full customization, built in body image stabilization, wireless flash control, built in accessory port to adapt an external electronic viewfinder, etc. Indeed, the XZ-1 received positive reviews and was one of the top considerations of serious digital compact camera. Therefore, it is no surprise that the new Olympus XZ-2, will not only replace the XZ-1 as the top of the line camera, but will also surpass the older XZ-1, in an ideal case, just about everything the XZ-1 can do, the XZ-2 should be able to do better. How much better, and will this new Olympus XZ-2 match or outperform its competing peers? That is not the answer for me to find out, but my review will cover how the XZ-2 respond to my own shooting needs and requirements from a camera. If you have been following my blog, I can be quite unforgiving if the camera is under-performing. 

SHOOTING AT PUDU, KL

The shooting location was Pudu, Kuala Lumpur. I covered the streets around the old shops area, as well as the open air wet market, which I have also used for most of my other review works for Olympus micro 4/3 camera and lenses. The sky was bright with cloud formation over the sky, causing slight overcast condition in certain times. Generally lighting was very good, and I was shooting with the lowest ISO sensitivity 100-200 only for the whole morning, and did not find the need to bump it up. Pudu provides plenty of subjects to be covered: people, old architecture, market vegetables and live poultry, etc. People are generally friendly here, hence shooting street portraits was easy. 

Watchful eyes

ISO200, F/1.9, 1/40sec, Equivalent focal length: 31mm

Soft fluffy clouds

ISO100, F/4.5, 1/1600sec, equivalent focal lenth: 28mm

Ready for Friday Prayers

ISO100, F/2.4, 1/250sec, equivalent focal length: 97mm

IMAGE SAMPLE 1

100% crop from IMAGE SAMPLE 1

100% crop from IMAGE SAMPLE 1

Very Friendly Gentlemen (since he was so friendly I went in even closer)

ISO100, F/2.5, 1/200sec, equvalent focal length: 112mm

UNEXPECTEDLY SHARP AND DETAILED IMAGE OUTPUT 

Shooting at very low ISO settings, from ISO100-200, the results obtained from the Olympus XZ-2 was nothing short of impressive in terms of image resolution and amazing amount of details captured. Looking at the IMAGE SAMPLE 1 above, the 100% crops on the portrait of the friendly gentlement revealed all the fine lines on his face, even though the face appeared to be smooth to my naked eyes !! And further downward the frame, looking at the 100% crop of his blue shirt, the texture of the fabric was very detailed. 

When I first saw this on my computer screen (well, we never trusted the camera LCD display anyway, do we?) I was quite shocked to see this level of sharpness in the image. Indeed those images were not artifically sharpened, they are true details captured and resolved into the final photograph, and you can inspect the full resolution untouched files in the download section provided at the end of this blog entry. To be completely honest, not even the Olympus Zuiko 14-42mm kit lenses, both for the 4/3 DSLR system and Micro 4/3 system can resolve this much detail, looking close up at 100% view. I even doubt that the new Olympus 12-50mm kit lens for OM-D can deliver such clarity and sharpness. Of course, the XZ-2 will never come close to the incredible primes (12mm F2, 45mm F1.8, 60mm F2.8 macro, etc) but lets not get carried away with ridiculous comparisons, which is besides the point anyway. What I was surprised (a pleasant one indeed) to find out here was that the digital compact cameras i.Zuiko brand is not just a marketing stunt, in fact the Zuiko branding is living up to its legendary quality. Having a compact digital cameras lens which is even sharper than DSLR kit lenses surely is something not to be overlooked. The versatile zoom range of equivalent focal length 28mm to 112mm, as well as the bright open aperture at all focal length, F/1.8 at the widest end of 28mm, to a very decent F/2.5 at longest tele-end of 112mm: all these made even the digital compact camera seem like quite a compelling choice to own. 

That built in zoom lens, was sharp from its widest end of 28mm, all the way to the fullest zoom of 112mm, showing no deterioration of sharpness visible to me, even shooting at the widest aperture range. 

Perhaps the incredible sharpness is not due to the high quality Zuiko lens alone, but also the new 12MP sensor. Surely we can argue that there are many other cameras that offer higher megapixel count, but high megapixel is not as important as quality pixels, as demonstrated by the XZ-2. In fact, this was the first time I saw anything this stunning coming out from a compact camera, with almost no trace of smearing of details (which is a common issue with compact digital cameras). If we are talking about newer compact cameras with over-sized image sensor such as the Nikon 1 system and Sony RX100, then it is a different story, because of the much larger sensor size. 

Safe behind bars

ISO200, F/2.5, 1/200sec, equvailent focal length: 112mm

Piercing Eyes (Since the cat did not run away, I went closer)

ISO200, F/2.5, 1/250sec, equivalent focal length: 112mm

Shopping with Mum

ISO200, F/2.5, 1/200sec, equivalent focal length: 112mm

Another Friendly Stranger 

ISO100, F/2.5, 1/100sec, equivalent focal length: 112mm

Very Old and Weathered

ISO100, F/3.5, 1/320sec, equivalent focal length: 28mm

Facing the window

ISO100, F/1.8, 1/640sec, equivalent focal length: 28mm

Fingers and legs

ISO100, F/2.3, 1/500sec, equivalent focal length: 75mm

Seafood for dinner?

ISO100, F/2.5, 1/500sec, equivalent focal length: 112mm

THAT GREAT OLYMPUS SIGNATURE COLOR

Since the the earlier days of digital photography, Olympus has always been praised for their very optimized, and arguably having the best JPEG engine, producing amazing colors, with very optimized and balanced output, especially from their DSLR range of cameras, and moving into the micro 4/3 system as well. It is a great news to find that the same image processing engine, Trupic 6 used for the top of the line micro 4/3 system cameras from Olympus OM-D E-M5 and the PEN E-PL5, is the same one included for the Olympus XZ-2 which is producing the amazing colors for the images shown in this entry, something familiar to the Olympus community. 

As I have described before, the colors look very true to life, natural and "believable". Skin tone reproduction is very pleasing and comfortable to look at. I dare say that the color signature of this XZ-2 is very, very similar to what I have observed from the OM-D and the E-PL5, with the same richness and quality. Of course we can expect more detailed resolution on the micro 4/3 system due to larger sensor and better quality optics, as well as better dynamic range, but for the XZ-2s much smaller sized sensor, I would say it is doing quite a fine job. Having the famous Olympus color in this compact camera is one strong reason, good enough to even consider getting this camera instead of others !!

VERY GOOD DYNAMIC RANGE IN LOW ISO

Looking at many sample images in this entry, for a compact camera with smaller sized sensor of 1/1,7 inch, I am quite pleased with the dynamic range of the images. The camera does quite well in preserving as much detail as possible in both the shadow and highlight region. This can be further enhanced if the shadow-adjustment "gradation" setting is enabled. For such small sensor being the limiting factor, surely I am not expecting miracles, but just take a look at some of the samples, with 100% crops, especially IMAGE SAMPLE 2 and 5, on the initial preview it seemed as if some areas have been overblown, but upon closer inspection, plenty of fine details are still well maintained. 

HOW DOES THE CAMERA FEEL IN HAND? HOW DOES IT HANDLE?

The first time I picked up the XZ-2, it felt very, very solid, and it was as expected, being the flagship high-end compact camera. The rubberized texture hand grip at the front of the camera, as well as the generous thumb rest added the feel of security as I held the camera, being able to grip it properly without the slightest feel of slippery. To be honest, the camera is not exactly very small, it seems to be about the same size as the PEN mini (without the kit lens of course), and the XZ-2 was not that light either. Being a more serious camera, weight is an advantage, helping you to stabilize the camera better (more weight means when you press the shutter button, the motion/vibration from the pressing is less significant). I quite like how the camera feels in hand, and I put a wrist strap instead of a neck strap when I was shooting with the XZ-2. 

All the buttons and controls feel responsive and assuring. There is no creakiness, or feeling of cheap components. I like the dual dial control of the XZ-2: one dial being the ring on the barrel of the lens, allowing quick control of either an exposure parameter of choice (Aperture, Shutter Speed, etc), or to zoom the lens. I set the front ring around the lens to control the aperture, because I was shooting in Aperture priority mode. There was already a dedicated power-zoom lever control at the top of the camera, placed around the shutter button, hence if you are a compact camera shooter, surely you will be more comfortable using the dedicated zoom lever. The second dial around the arrow pad at the back of the camera was set to control exposure compensation, which I almost never found the need to adjust, because the default metering was already quite reliable in this sessions shooting. I set my metering to center-weighted average, which was the option which I usually use. 

Fish Boys

ISO200, F/1.8, 1/800sec, equivalent focal length: 28mm

Lemang (local delicacy, made from glutinous rice)

ISO100, F/1.8, 1/250sec, equvalent focal length: 28mm

IMAGE SAMPLE 2

100% crop from IMAGE SAMPLE 2

Backalley

ISO100, F/4.5, 1/500sec

Different heights

ISO200 (Mistakenly set, should have been 100), F/3.5, 1/2000sec, equivalent focal length: 28mm

IMAGE SAMPLE 3

100% crop from IMAGE SAMPLE 3

Cold drink on a hot day

ISO100, F/2.3, 1/250sec, equivalent focal length: 75mm

By the junk

ISO200, F/1.8, 1/400sec, equivalent focal length: 28mm

AUTOFOCUS PERFORMANCE AND GENERAL CAMERA OPERATIONS

The Olympus XZ-2 performs very well in autofocus generally. The focusing was extremely fast at widest end of 28mm, but as I zoomed in to the longest end, 112mm, in some occasions, the lens hunts a little, but will always lock in focus. The camera never failed to focus, just that the performance was slightly slower, and perhaps had a little hunting issue at longer end of zoom, which is typcial for most compact cameras. In all honesty, even taking into consideration the hunting, the autofocus is still acceptable, and should not affect normal shooting operations. Lets face it, this is not a sports camera which requires instantaneous AF response. 

Surely, the XZ-2 still lags behind in AF speed if you compare to the Olympus OM-D (ok that is going to the extreme). I know, because the friend I was shooting alongside with in the same session at Pudu, Kelvin Ng, was using the OM-D. 

As I have little to complain about the AF performance, I however do have something to say about what happens after clicking the shutter button. If you turned off the preview, or set the preview for 1-2 sec only at the LCD screen playback after each shot, the operation of the camera is smooth, and there is no noticeable lag. However, my shooting workflow requires me to scrutinize my shots (ok I do pixel peep so sue me again), hence I set the LCD to immediately go into full review, where I can magnify the image and delete it on the spot, if I found it to be out of focus, or if I was not satisfied with the initial composition. Since I was dong a blog review, it was my top priority to make sure ALL my images come out with tack sharp accurate focus, hence I had to go through the rigorous routine of checking every single shot, immediately I have taken them. You see, when the XZ-2 was set to "Auto-Review", there was a lag of about 2 seconds, which you cannot do anything with the camera at all. After clicking the shutter button, the image was being previewed, only after 2 seconds, I can magnify the image, and delete it, and then take another shot. If suddenly another photography opportunity appeared within that 2 seconds, I would have missed it. 

I understand that the way to go around this problem is to OFF the preview entirely, but that was against my workflow, and is not an option. I am an engineer quality control is extremely important to me, and if I can on the spot know something is wrong, I will fix it and get the shot I wanted. All Olympus DSLR and micro 4/3 system cameras have INSTANT response with ZERO lag. Maybe I was expecting too much, but the lag did slow me down, and that is a bad thing. 

Other than this one issue that I had, everything else about the camera worked like a charm. 

End is Coming

ISO250, F/2.8, 1/80sec, equivalent focal length: 112mm

IMAGE SAMPLE 4

50% crop from IMAGE SAMPLE 4

Wrapped Alive

ISO100, F/1.8, 1/80sec, equivalent focal length: 28mm

Slacking Around

ISO200, F/1.8, 1/160sec, equivalent focal length: 28mm

Pink Snack

1SO100, F/2.2, 1/1000sec, equivalent focal length: 66mm

IMAGE SAMPLE 5

100% crop from IMAGE SAMPLE 5

A religious man. 

ISO100, F/2.5, 1/100sec, equvalent focal length: 112mm

Kelvin Ng, my shooting partner of the day. 

ISO100, F/2.5, 1/80sec, equivalent focal length: 112mm

11 full resolution sample images, straight out of camera (direct convert from RAW to JPEG via Olympus Viewer 2 software with no additional adjustments) can be downloaded via the following link, for your pixel-peeping pleasure. 

OLYMPUS XZ-2 DOWNLOAD 1 (click)

OLYMPUS XZ-2 AS A STREET SHOOTING CAMERA

Does the Olympus XZ-2 qualify as a street camera? Id say a definite yes. It is small enough to be discreet, light and easy to be carried with you everywhere, being comfortable to hold and handle for long walks, and the camera performs very well in quick focusing. Most importantly, the XZ-2 delivers amazing image quality for a compact camera, I do not think many compact cameras in this league can rival the impressive output. Furthermore, the camera has tilt screen which is very useful for odd angle composition, from extreme low angle, or above the head shooting. 

MORE ABOUT THE OLYMPUS XZ-2 COMING SOON

No, this is not the end of my review for the XZ-2. I have so much more to talk about this camera. High ISO shooting performance, flash usage, the 920k resolution LCD screen, macro shooting capability, etc.  There will be at least two more parts of reviews coming soon, but do allow me some time to go out, shoot, get as many photographs as I can, and compose my blog entries !!

If you have any questions or feedback, please feel free to say something in the comment section on this blog entry, or email me directly at hamish7ian@gmail.com

Read More..